The Musicians’ Union are at it again – complaining about the loss of venues due mainly to local residents objecting to noise levels. The problem is not the objectors but those who cling on to the old male-dominated guitar band format which insists on loud volumes.
But history has taught us that musicians and artists generally have a way of adapting. It just takes courage and imagination. These qualities were on display at last night’s carol concert by Stile Moderno performing at a venue where the locals are in no rush to close down – St Cuthbert’s Church, Earls Court, London. If you regard Earl’s Court as a drive through district you will probably be unfamiliar to this gem of a church tucked away in a residential area.
Every December, I like to go to at least one Christmas carol concert and, having heard Stilo Moderno at the same venue earlier this year, chose them for 2016. I knew this group was after my heart when I saw my favourite carol in the programme: In The Bleak Midwinter. Despite the writers names being Rossetti and Holz this song always seems to me quintessentially English. The first verse pulls everyone in with its description of a winter scene and then the nativity story comes in the second unsettling the non-believer. All carols should be like that. Stilo Moderne sung four verses: 1) soprano solo 2) ensemble) 3 tenor solo over a humming backdrop 4) Ensemble again. Perfect.
It’s natural for the ear to focus on whichever voice holds the melody but the sopranos still deserve special commendation. The programme was perfectly balanced, arrangements ravishing and the execution was delivered with confidence and professionalism.
The effect of a concert is often best felt after the event and when I walked out into the cool December night I felt my spirit lifted by the memory of an hour’s choral music by eight young singer’s led by conductor Sam Keeler, and the sense that the world is not as bad as it often seems. And it is with this feeling I wish everyone a very happy Christmas.